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Dance With co uk
Dance with History
Prehistory
"Go back ten thousand years and you will find humans toiling away at
the many mundane activities required for survival: hunting, food
gathering, making weapons and garments, beginning to experiment with
agriculture. But if you land on the right moonlit night or seasonal
turning point, you might also find them engaged in what seems, by
comparison, to be a gratuitous waste of energy: dancing in lines or circles...well
before people had a written language, and possibly before they took up
a settled lifestyle, they danced and understood dancing as an activity
important enough to record in stone."
Antiquity
"Socrates recommended dance to
his students ... and danced among his
friends after dinner" (470-399 BC)
"Plato saw dance as a desirable
method "for the acquisition of noble,
harmonious and graceful attitudes"" (427-347 BC)
"Dance is as old as love"
Lucian of Samosata (120-180 AD)
1285 Make Merry
From accounts of the Tournaments at
Chauvenci, attended by English
Knights:
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"After eating,
they
rose to their feet and removed the tables and
trestles. They played flutes, tabors and flageolets and generally made
as merry as could be. Then a song began. Everyone came forward eagerly
to sing 'Cursed be he who does not join the dance'. If you had seen the
ladies come forward, holding the gentlemen by the hand, you
would have thought it a fine and pleasing sight. There is none who does
not make merry." |
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"Apres
mangier, en piez leverent.
Tument tables, tument tretel.
Trompent flaiot, tabors, fretel
Eslorent bien en lor saison
Lors comanca une chanson
De chanter chaseuns cuers s'avance
'Mal dehait ait qui ne vient en la dance'
Qui dont veist dames venir,
Bachelers par les mains tenir,
Bel li samblast et bel li fust
Sans contrebit et sans refust
N'i a celui qui ne s'esjoie." |
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1400s La Danse Champétre
From the manuscript Heures de Charles
O'Angouleme
1514 Dancing Peasants
by Albrecht Dürer
1566 The Wedding Dance
by Pieter Brueghel the Elder
1588 Orchésograhie
"Dancing is an art adapted by the youthful, agreeable to the aged and
very suitable for all"
Arbeau, T. Orchésographie 1588
(Translated Beaumont, C. W. 1925)
1603 Elizabeth I
"Queen Elizabeth herself was...
an eager dancer who still
performed the vigorous galliard at the age of
seventy."
Woodcut taken from an oil painting hanging in Penshurst Palace
depicting the Earl of Leicester dancing La Volta with Queen Elizabeth I.
1651 The English Dancing
Master
by John
Playford
"[Dance]
This Art, Anciently commended as Excellent for Recreation,
after more serious Studies, making the body active and strong, graceful
in deportment, and a quality very much beseeming a Gentleman"
1657 Oliver Cromwell dances till dawn
"During the Commonwealth (1649-1660) ... private dancing was consider
an acceptable activity, as illustrated by the fact that the Lord
Protector Oliver Cromwell himself danced till dawn at a ball to
celebrate his daughter's wedding."
"The wedding feast [for Cromwell's daughter] scaled new heights of
magnificence, not only were there forty-eight violins and fifty
trumpets, but also "mixt dancing" until five o'clock in the morning"
Antonia Fraser "Cromwell -
our
chief of men" (1973)
1774 The Pleasure of Dancing
"If this passion for dancing is a fault, I will gladly confess I know
of nothing I value more. And if there is something on my mind, I pound
out a quadrille and everything immediately is all right again."
Johann Wolfgang von Goethe
"The
Suffering of Young Werther"
Source Thompson
1812 "Waltz first danced in England"
1813 Jane Austen's Pride
and
Prejudice
[Sir William Lucas] "What a charming amusement for young people this
is, Mr Darcy! - There is nothing like dancing after all. - I consider
it as one of the first refinements of polished societies."
[Mr. Darcy] "Certainly, Sir; - and it has the advantage also of being
in
vogue amongst the less polished societies of the world. - Every savage
can dance"
1816 A Companion to the
Ballroom
by Thomas Wilson
"Changing partners in all Balls and Assemblies ought to be optional, as
in many companies it is more properly convenient."
1890s "Rumba arose in Havana"
(Source: see wikipedia.org
Rumba)
1895 Waltz
"The Waltz is the favourite dance of modern times and has held its own
for the last fifty years. Good
Waltzing means good dancing, and you
cannot be said to dance unless you Waltz."
"Modern Etiquette in
Public and
Private" by Frederick Warne and Co.
1896 Empress Ballroom, Blackpool
"The biggest dance halls were in Lancashire... The Empress Ballroom
flourished throughout the summer, holding some three thousand dancers."
1898 Arthur Morris of Leeds
"Arthur Morris of Leeds wrote the tune for and arranged the dance, Veleta, probably the most popular
sequence dance of all time."
1899 Blackpool Tower Ballroom opens
1900s A New Era
Franks
describes a progression from courtly steps
as a democratic and
fun-seeking society expresses the emotions of a new era by interpreting
music in smooth flowing dances based on the natural walk.
1900 James
Finnigan
of Manchester
"James Finnigan devises the Military
Two Step. He is also the first President of the
Manchester and Salford Association of Teachers of Dancing, founded in
1903, and his grand-daughter still teaches dancing.
1911 Jazz, Syncopation and Ragtime
Irving Berlin composes Alexander's
Ragtime Band.
1911 Tango
"... it became fashionable in
Paris, and later in London, to have 'Tango
parties' in drawing-rooms. They also began
introducing dancing couples into restaurants, and [George Grossmith]
was one of
the first among the ordinary people watching to get up with a
lady and dance between the tables.
Other spectators followed suit."
1914 Vernon and Irene Castle
"People can say what
they like about rag-time. The Waltz is beautiful,
the Tango is graceful. One can sit quietly and listen with pleasure to
them all; but when a good orchestra plays a rag one has simply got to move."
Castle, Vernon and Irene
"Modern
Dancing"
Source Thompson
1914-1918 Foxtrot
"1914 - The Foxtrot first danced in UK, described by a contemporary as
'very
rollicking, and has a tendency to put
everyone in a good humour'."
"When war came, the most popular form of relaxation for the
men on leave was a dance... The fascinating
lilt of the Foxtrot tunes
and the informal nature of the steps appealed so much that in a few
months the Foxtrot swept all other dances except the Rag off the
ballroom floor.
"Foxtrot has an eponymous hero, Harry Fox, who was among the first to
introduce it to the vaudeville stage, but the suggestion it was named
after the gait or pace of the horse, known in the West as 'Foxtrot', is
more plausible.
"...one prominent teacher, in reply to a request for a definition of
the basic Foxtrot steps, wrote at the time: 'There are but two things
to remember; first a slow walk, two counts to a step; second a trot or
a run, one count to each step.'"
1920 English Style "Modern" Ballroom
Formalisation of steps at conferences called by Dancing Times, formerly
Ballroom Dancing Times, and now Dance
Today.
1920s Dance
Halls in
Manchester
"Dance Halls and Dancing Schools [in 1920s Manchester]
"In the first half of [the 20th] century dancers throughout the
Manchester area were well provided for, with splendid ballrooms
and dance halls, and many excellent dancing schools, where dancing
could be enjoyed six nights a week.
"The Ritz on Whitworth Street
West was the best known. It was mainly
frequented by first class dancers who were assured of finding good
partners, or they could engage one of the professional partners at
sixpence a dance. Most people learnt the basic steps at their local
dance hall before becoming
confident enough to set foot in the Ritz.
"Other than Finnigan's
[est.
1877], Cadman's
[est. 1903] on
Ashfield
Road, Sale, is the oldest surviving dance
hall."
"Dancing in Jinks's
boatyard"
1920s Lindy Hop, Boogie Woogie and Swing Jazz
In the Savoy Ballroom, Harlem NY, "Shorty" George names a street jazz
dance as the "Lindy Hop" in
honour of Charles Lindenbergh (1928)
October 1926 Manchester Civic Dance Parties
Dinner
and Tea
Dances,
Fancy Dress, Shows, Cabaret, Carnival
and Gala.
1929 First Quickstep
"The dance called 'Quick-Time Foxtrot
and Charleston' became known as the 'Quickstep'."
1930s Ballroom and Latin American
"The recent period of Ballroom Dancing history starts with the four
standard dances: Waltz, Foxtrot,
Quickstep and Tango."
"On the Latin American side, that delightfully light-hearted dance, the
Samba, arrived in Europe
from
Brazil."
1931 Rhumba
"In 1931 bandleader Don Azpiazu rearranged El Manicero (The Peanut
Vendor) and turned the Cuban 'son' music into a Rhumba to suit
Western tastes."
(NB Steward
denotes Rhumba
spelt with an 'h' as
a westernised version of Cuban Rumba.)
1934 Fred and Ginger
Cole Porter's musical
film The Gay
Divorcee with Astaire and Rogers performing Night and Day.
1934 Cab Calloway records Jitterbug
1938 Mambo
Orestes Lopez composes a song called Mambo
in Cuba.
1945 British Jive Championships
"... includes a challenge match between world jitterbug champions and world jive champions."
1953 Cha Cha Cha
"Music is never static and by 1953 a further 'new' rhythm and dance
swept Cuba. Enrique Jorrín recorded his tune 'La
Engañadora' using a rhythmic pattern we now call Cha Cha Cha."
1954 Rock 'n' Roll
Bill Haley and His Comets record Rock
Around the Clock.
1960 Chubby Checker records The
Twist
"Easy to learn, fun to dance with its distinctive beat, young and old
twisted the night away. The Twist brought with it a new idea:
dancers did not need partners."
1966 Salsa as Cuban
dance
music
"The first self-conscious use of 'salsa' to describe modernized Cuban
dance music came in 1966 by Venezuelan radio DJ, Danilo Phidiad
Escalona."
1977 Disco Hustle
dance by John Travolta in Saturday
Night Fever
1980s Rave parties at Manchester's Haçienda nightclub
1990s French Jive or Modern Jive
Erroneous titles for accessible
Jive-Salsa fusion, "featuring many spinning actions for lady and
imprecise foot positions."
1997 "Dance, even if you have nowhere to do it but your
living
room."
Mary Schmich, Advice, like youth,
probably just wasted on the young from Chicago
Tribune, 1st June. Quoted in Baz Luhrmann's song, Everybody's Free (To Wear Sunscreen).
1998 Salsa
Buena Vista Social Club released by Ry Cooder and the Afro Cuban
Allstars leads to an explosion across Europe of Son Music and Salsa Dancing.
Bandleader, Wille Colón, writes, "Salsa's
magic has always been transmitted from skin to skin - in a
seductive dance clinch, and through a sheet of dried goats skin - the
voice of the drum"
Why do we dance?
"Dance is an instinctive mode of muscular reaction... expressing
feelings or emotions, or simply expressing excess energy."
"The desire to dance is one of the primitive instincts of mankind. It
has been said that 'dancing is older
than anything except eating, drinking and love'.
"It is a fact that emotion stimulates the body into movement. Even
primitive cave-drawings depict men dancing. The desire to move in
response to emotion is a physiological fact which will survive as long
as people exist. The persistence of rhythm and its intimate association
with sex and life itself is undeniable, and rhythm and movement come
together in dancing"
Humanity includes dancing, and
today we dance for fun.
If you find any errors, omissions, or dead-end links,
please e-mail martin@dancewith.co.uk.
Thanks.
External Links
Dance with History web links:
History
of Modern Ballroom Dancing by Don
Herbison-Evans.
An
American Ballroom Companion: Dance Instruction
Manuals 1490-1920 from the US Library of Congress.
Brief Histories
of Dancing from centralhome.com.
Sketched History
of western social dance from earthlydelights.com.au.
References
Ehrenreich
"Dancing in the Streets"
Ehrenreich, Barbara (2007) Granta, London; ISBN 978-1-86207-954-0.
Ellis
"The Dance of Life" Ellis,
Havelock (1923) Houghton Mifflin, Boston.
Franks
"Social Dance: A short
History" Franks, Arthur Henry (1963) Routledge and
Kegan Paul, London.
Pritchard
"Dance Band Days around
Manchester"
Pritchard, Frank (1988)
Publisher: Neil Richardson, Manchester; ISBN 1-85216-023-3.
Rust
"Dance in Society: An analysis
of the relationship
between the social dance and society, in England, from the middle ages
to the present day"
Rust, Frances (1969) Routledge and Keagan Paul, London.
Silvester
"Modern Ballroom Dancing"
Silvester, Victor (2005) Ebury Publishing; ISBN 0-0919-05095 (first
published in 1977 by Barrie and Jenkins).
Steward
"Salsa: musical heartbeat of
Latin
America" Steward, Sue (1999) Thames
and Hudson, London.
Thompson (Highly Recommended by
www.DanceWith.co.uk)
"Dancing Through Time: Western
Social Dance in Literature, 1400-1918: Selections / compiled by Allison
Thompson" Thompson, Allison (1998) McFarland and Company; ISBN
0-7864-0480-9.
Wainwright
"The Story of British Popular Dance"
Wainwright, Lyndon (1996) Publisher: International Dance Publications,
Brighton; ISBN 0-900326-35-2.
If
a hyperlink brought you to these references, then your browser's "back
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